Prez
Sez Fall
2002 Jazz and happiness
make for sweet life By Butch
Berman I'm a
fairly twisted guy-so when film critic
Roger Ebert (who co-penned "Beyond the
Valley of the Dolls") was asked what his
favorite movie of all time was, it didn't
surprise me when he proclaimed it to be
Federico Fellini's "La Dolce Vita," my
all-time fave flick, too. Ah, yes, "La
Dolce Vita" ("The Sweet Life") just has to
be the mood behind this latest jazz rag
from me to you. Besides
this summer being a very jazzy time for
the BMF and our followers, I've never been
happier. On June 25, my beloved Grace's
birthday (my late mother's, too-go figure)
we became engaged to be married May 30,
2003. I knew Grace was the one almost
immediately after our first encounter last
Dec. 12. So much so, I recently purchased
a second home for Grace, myself and her
two teenage sons, Bahji and Janom. I still
maintain my first home, the BMF museum.
Anyway, you read it here first, and
whether you like it or not, you will be a
part of it in some way. I'm a very lucky
and happy fellow. Now-oh,
yeah-jazz. First, we
brought two new friends into our
foundation as consultants in the last few
months. Ironically, not only are they both
from K.C., but are stone's-throw neighbors
as well. I'm speaking of Steve Irwin and
Gerald Spaits. Their jazz history through
the years has been impressive. Gerald, as
one of the best and busiest bassists and
arrangers around, has worked with
everybody. He brought to our tables the
opportunity to executive produce both
Never Let Me Go by the Russ Long Trio and
the upcoming release with his Westport Art
Ensemble. Our friendship and interest in
keeping the jazz torch well lit made him
an obvious choice to represent K.C. and
work as a valuable liaison here. The
Westport Art Ensemble will do a CD release
party at P.O. Pears in Lincoln Oct. 10.
Don't miss it. Steve
Irwin, as mentioned many times in past
issues, put on the short, very, very sweet
Kansas City International Jazz Festival
with his wife, Jo Boehr, and partner John
Jessup, turned me onto the Coda foundation
(see the story in this issue), got me
involved in the Scamps project (see the
story in this issue) and, like Gerald,
seems to be the perfect, logical choice,
making the sum of the parts even richer.
Welcome, guys. Norman
Hedman, another dear friend, composer and
one of the best percussionists in the
biz-with or without his band
Tropique-visited the BMF recently. We plan
to help put out his new work-in-progress
entitled Because I Can. New label info is
still under wraps, but expect more vocals
and a different array of top-flight
musicians on tap. One song, "Angel in the
Night," was inspired by Grace and my
relationship, hence the song was born.
Stay tuned for the rest of this story. Not
wanting to waste space and step on Tom's
fine piece on this year's Jazz in June
series, I'll be brief. Musically, I'm as
proud as a new papa being able to pull off
a coast-to-coast, first-class trio of my
choice of artists who performed and, most
importantly, my friends. Paul Mehling's
Hot Club of San Francisco, Stan Kessler
with the Sons of Brasil from Kansas City,
and without a doubt the main event, the
George Cables Trio, with longtime
associate Victor Lewis and new
acquaintance Cameron Brown. Hopefully,
meetings with the Nebraska Art Association
and the media will straighten out some of
this year's glitches. Nonetheless, the
weather and the crowd were great and the
music was sensational. Special kudos go
out to the sound crew, led by Steve Watts
(we may need larger gear next year, guys,
if the turnout continues to swell), Doris
Abbott of Travel and Transport-who handled
all the travel arrangements-and Martha
Florence for really working her ass off in
the trenches. We're
hoping to find a venue to bring in the
marvelous duo of Cameron Brown and jazz
songstress extraordinaire Sheila Jordan.
Keep your fingers crossed on this
one. Also,
don't miss our three ultra-cool shows at
P.O. Pears to round out the 2002 season
(See Tom's previews for more details.).
Watch for Belgian jazz pianist Ivan
Paduart on Sept. 12, backed by Karrin
Allyson's first-call rhythm section of Bob
Bowman and Todd Strait. Drummer Strait is
moving to Portland, Ore., so catch him
while you can. The aforementioned Westport
Art Ensemble performs Oct 10 and, lastly,
we're bringing back K.C.'s Doug Talley
Quartet, who may augment music from his
last CD, "Kansas City Suite," with a slide
show reviewing K.C.ís history on
Dec. 5. Gotta
split. I am so glad I heard Rosie Clooney
at the now-defunct Rainbow Room in New
York City a few years ago and heard and
met Ray Brown at Topeka last year. Time is
precious, so to quote Richard Alpert (Baba
Ram Dass), "Be Here Now" rings more true
today than ever before. Peace. The Butch
Meister BMFMain
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By
Butch Berman

Gerald
Spaits

Norman
Hedman